Racism in publishing: Harlem Renaissance

Racism in publishing: Harlem Renaissance

Harlem Renaissance was a cultural, artistic and social explosion that took place in Harlem, New yolk. It was known as the “New Negro Movement” at those times. The movement included African-American cultural expressions across the urban areas in the United States.  Harlem Renaissance is considered as the rebirth of African American arts.  Though the movement was centered in new yolk, other black writers living in Caribbean and the Paris also influenced the movement.

For centuries, the presentation of the black Americans in the western world had been arrogant. Politicians, spiritual leaders, physicians and scientists concentrated in proving that the black Americans were Quasi-humans, an excellent animal born to serve the white people.  Publishers concentrated on writing about the African American and their lives.

In the 1920s and 30s, racism was very life in publishing.  White writers concentrated on writing about the life of the African Americans. Religion for one played a major role in the Harlem Renaissance. Many of the writers of this period wrote about the role of religion in the lives of the African American. It is not that the whites were not religious but the writers and critics were more interested with the African American. Religious critique was mainly found in literature, poetry and art.

Black painters began to portray the blacks as dignified rather than stereotypes. Pride in the African origins rose and African American artists began to use African visual devices and style to suggest writing themes. Harlem Renaissance highlighted the personalities, culture and origins of the Harlem Renaissance. It exemplified and portrayed a new generation of Harlem Renaissance and helped to change image of the Harlem Renaissance in the white dominated western world.

 
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