Independent films are films that cannot be shown commercially in China because they have not been submitted to the Chinese censorship authorities. The creators of the films do not present the films for censorship because they would not be approved. In China, on the spot films are shot on location, use natural lighting, have inexperienced actors and use cameras held with the hand. The various kinds of films that developed because of the DV camera are dairy films, private films, visual essay documentaries, oral history films, and experimental videos. The DV camera enabled filmmakers to create films individually. The DV camera also led to ethical concerns on how to protect the privacy of the people present in the film and determining how the filmmaker and the people being filmed should relate with each other.

During filming, Lixan Fan struggled with restrictions on filming especially in factories and public places such as the railway station. Lixan also developed a close emotional connection with the family being filmed, making it difficult to shoot and edit the content. Coordinating the filming was also difficult. In the film, Lixan hoped to show the experiences of the migrant workers that manufactured the goods that China exported. He also expected that people in the Western world that consume Chinese products would understand how they are connected with the factory migrant workers that produce the goods. The family was willing to be filmed. The family gave Lixan permission to record most of the activities that they took part in. The family members treated Lixan like one of them. Lixan filmed in a comfortable environment where the family did not limit his activities. The family was also willing to let their story to be told to the wider world even though some of the filmed scenes were sensitive.

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