The paper demonstrates how the Margins of Asian America has enhanced great understanding of the Asian American. The main characters in the book are Nam June and Laurel Nkadate. The characters have highlighted how public institutions played a significant role in the history of the Asian Pacific American film. The article also discussed how public schools played a significant role in the grounding of federal funding, broadcasting, and exhibition. The book has enhanced and promoted a lot of understanding of the state was funding public institutions and other policies that encourage multiculturalism. Also, the paper will discuss how the social media platforms have played a significant role in uncovering the previous events that happened on the Asian American movie makers. The Asian Pacific Filmmakers have continued with the legacy of producing communal and institutional films. The writer of the book has also noted that it has been crucial to uphold diversity within a specific genre. The history of the Asian American has been filtered throughout the , and the descendants will have a better chance to understand the history and all the events that happened long before the ancestors died.

The pioneering video art June Pike and Laurel who was a film and video installer have taken a step forward to explain how media has played an experimental role. The writer of the movie have highlighted on hoe there has been continued problem on racism especially on institutions against the Asian Americans. The article has also shown a well and systematic procedure on how there has been constant discursive and invisibility of all the Asian Pacific Americans. The most critical issues in the history of Asian American is the kind of tension that exists between transitional and national identifications. The aspect covers a wide range of cultural and social transformation in the history of Asian American studies. Laurel has also stated on how globalization and various migration have prevented the boundary between the Asian American and the Asian identities in the country. The media explains how the landscape has promoted and enhanced inundated where the Asian American are considered to be people coming from the diaspora. Therefore, I can be in a position to state that transitional is a trend that is seasonal since it comes and goes. If an individual wants to understand the mutual relationship that exists between nationalist and interim, then we need to push for globalization of the Asian American. People also need to give priority to the culture of Asian American by putting an end to cultural criticism. Aspirations and dialogue of the American myths are likely to end up being subverted yet the myths are supposed to be realized by the coming and new generation.

Paik was an excellent example of an artist that experienced racial discrimination, and the activity affected his work both negative and positive. He was at one point not able to publish and properly conduct his actions because some of the influential people in prominent positions never gave him a chance to say whatever he wanted. According to the commentaries about Paik, he was only celebrated by the border aesthetic. Paik produced a video called sculptures which usually has an excellent reference on Buddhism and Zen. The film reaches the members of those origins through the community outreach program, collaborative efforts and social media platforms. The movie also collaborates with other Asian Pacific American organizations which are mainly done through the film festivals. The central theme of the film to bring people from these origins together by encouraging the artistic establishment of the Asian Pacific American arts, movies, and talents. The other themes of the film include raising awareness to the public on skills and creativity. The film broadly covered on the best way to promote arts and opportunities that are aimed in supporting education. The primary outreach and the target group of the movie are the youth together with the adults. The film has created an excellent platform to discuss the issues that are affecting the Asian Pacific American communities. The work of the artist is being read both unproblematic together with transcending borders. The Orientalism critiques often are not concerned with the possibilities that are offered by the technology and the kind of hope that they provide in the present world. I can recommend people to read the article to understand how the artist demonstrates fluidity and how cultural and technological aspect are intervened and joined together to show modernity.

The article also gives hope that the exchanges can bring a lot of change in society if they are absorbed. Besides, the transactions are ably capable of ensuring hybrid identities and cultures are generated in modern society. Paik played a significant role during the time of Asian American transformation in institution building. Paik was always ready to lens the studies since his work was vital since it was related to the identity of New York. Paik promoted a lot of tension between the aesthetic televisual flow that was proposed by the media and the anti-Asian American violence. Paik was a representation of the television and the possibility of reconnecting with people from different regions. For instance, Japan came a great and economic power in the marketing industry just because the country was able to uphold its cultural values. The work of the artist was mainly concerned with coming up with a way of doing away with racial discrimination by supporting equality. Paik suggested for Utopian possibilities that were primarily responsible for erasing and removing racial boundaries. The action is ironic because the removal is to be done through techno Orientalism. The response was to be made possible through cultural odorlessness. When it comes to Laurel Nkadate was an Asian American photographer. She produced her film that was mainly talking about the male conventions. Asian Americans were seen as minority groups in the country. The action of the artist to bring collectivity and individualism I the state was all denied access to be part of the larger community.

References

Ahn, J. H., & Culture, E. A. P. (2017). Agamben, Giorgio. 1998. Homo Sacer: Sovereign Power and Bare Life. Stanford, CA: Stanford University Press. Ahn, Geonhyeok. 1978. A Biracial Singer Yoon Su Il’s ‘I Won’t Love.’ Kyunghyang Newspaper, April 8, 5. Retrieved from http://newslibrary. never. com/viewer/index. nhn? articleId= 1978040800329205005&editNo= 2&pri. Mixed-Race Politics and Neoliberal Multiculturalism in South Korean Media, 13(1), 205.

Dave, S. (2017). Racial accents, Hollywood casting, and Asian American studies. Cinema Journal, 56(3), 142-147.

Kauanui, J. K. (2015). Imperial ocean: The Pacific as a critical site for American studies. American Quarterly, 67(3), 625-636.

Okada, J. (2017). Nam June Paik and Laurel Nakadate at the margins of Asian American film and video. Cinema Journal, 56(3), 136-141.

 
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