A visit to Msheireb museum in Doha, Qatar introduces one to unique spaces which portray the country’s history. Through sculptures and traditional archives stored in the facility, it is easier for the visitors to identify with the Qatari culture and how it has transformed from the 1930s. During my visit to the museum, I found out that it qualifies to be a ritual space based on the exhibitions that stand for the staunch culture and the crucial beliefs that the Arabs hold not only in Qatar but also across the Asian continent and the rest of the world.

As indicated by Carol Duncan, “art museums have always been compared to older ceremonial monuments such as palaces or temples” (Duncan 7). Going by this sentiment, Msheireb Museum has been designed in a way that shows a unique architectural style which takes into consideration the traditional Qatari culture. As a result, when I was about to enter the building, I could view it as a ritual space that carried a great representation of the past and some aspects regarding the present Qatari. One side of the museum depicted a transformation from the 1930s to 1970s. A significant theme witnessed through the museum was the ills that the Qatari people went through when they worked in oil fields since they were subjected to harsh conditions.

Since the dominant theme of the museum was concerned with the past problems underwent by the Qatari, the way I acted differed from my previous visits to other museums. At some point, I put myself in the shoes of those who were suffering but, at the same time, marvel at the great work of art. Thus, I think the type of museum informs how visitors should conduct themselves.

Works Cited
Duncan, Carol. Civilizing Rituals: Inside public art museums. Routledge, 2005.

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